Sony Pictures originally planned to release the film in theaters last October, but it now won't hit Netflix until later this year.
The Machines, which was previously called Connected. It scooped up the worldwide rights (excluding China) to animated flick The Mitchells vs.
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Miles definitely has swag.Netflix has added another movie to the mammoth slate of original films it's releasing this year. Even Miles’ style of clothing is unique, with his red-and-white unlaced Nikes and spraypainted spider emblem on his costume.
Rather than solely relying on orchestral accompaniment, we hear the melodic beats of contemporary artists like Post Malone and Swae Lee to tie into his love of music and hip-hop. Into the Spider-Verse helps set Miles’ story apart in more ways than just his personality, layering on aspects that feel uniquely Miles. When he’s in action, Miles’ distinctive set of superpowers - his ability to stun opponents and use camouflage to become all but invisible, to name a few - are thrilling to see on display. But Miles’ way of being Spider-Man is different enough to not make him seem like a copycat, and helps this feel like a fresh, new Spider-Man story instead of a retread of familiar material. As a superhero, Miles embraces many of the characteristics that Peter exhibits: bravery, kindness, and a strong connection to his family. Once Miles does figure it all out, his youthful exuberance is palpable whenever he’s swinging through the brightly lit New York City streets, thanks to Moore’s strong voice work. It’s a refreshing take on an origin story and adds a nice bit of suspense, making Miles legitimately doubt if he has what it takes to join the superhero elite. Instead of a rushed training montage, a good chunk centers on Miles’ struggle to accept and trust his new abilities. Peter’s frustrations are not unfounded since Miles’ journey to superhero status is a slow one, and that’s a good thing. Peter is no Yoda, and his lack of patience with Miles allows for some hilarious banter, which is bolstered by Johnson’s charismatic performance as the elder webslinger.
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The unlikely duo is entertaining, especially in the first half when Miles is still learning how to use his powers. Miles and Peter are the perfect odd couple: one guy doesn’t want to be a superhero anymore, while the other passionately wants to learn how to be one. The best of the bunch is an older, more jaded version of Peter Parker (Jake Johnson) who enjoys burgers and bagels more than exercise. Into the Spider-Verse would have benefited from spending more time with its intriguingly deep villain instead of focusing the majority of its time on its spandex-wearing heroes.Kingpin’s dastardly deed brings a diverse group of Spider-People to Miles’ Earth. Here, he’s a gigantic and physically intimidating blocky mass in a black suit, with Liev Schreiber’s deep booming voice emitting from it.
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The character design for Kingpin looks appropriately menacing, too, and feels distinct from his recent appearances in other Marvel projects, including Netflix’s Daredevil TV show and Insomniac’s Spider-Man game. As over-the-top as that is, writers Phil Lord and Rodney Rothman create a deeply personal story for the infamous villain that feels more authentic than the easy “I want to take over the city for no reason” approach. In typical comic book bad-guy fashion, Kingpin creates tears in the space-time continuum and gains access to an infinite supply of alternate Earths – and their Spider-Men. On the superhero side of things, after Miles is bitten by a genetically-modified spider, the story gets crazy… in a good way. Those one-of-a-kind visuals add an otherworldly look, which is appropriate since the story is not set in the Marvel Cinematic Universe. With so many American animated films resembling Pixar nowadays, Into the Spider-Verse is a visual experience unlike anything we’ve seen before. It’s like watching a comic book being brought to life, complete with vibrant colors, a few KAPOWS, and some actual thought bubbles sprinkled in for dramatic effect. Miles Morales’ journey from zero to hero is brought to life with jaw-dropping animation, whimsical callbacks to previous Spider-Man media, and memorable side characters from the multiverse that range from fan-favorite Spider-Gwen to the outright bizarre Spider-Ham.The unique and often brilliant 3D animation style is a fantastic aspect of the movie, though it does take some time to get used to. There’s no replacing a comic book legend like Peter Parker, but Sony Animation’s Spider-Man: Into the Spider-Verse makes a strong case for why more “Spider-People” is a good thing.
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